Tim Parsons
Projects
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Sand Lathe
Southbank Ceramics
Mirror Clock
Pewter Picnic-ware
Half Pint Glass
Pewter Drip-Casting
Pewter Film
Pewter Dip-Casting
Umbrella Tees
Picture Frame Box
Turned Candle
Jewellery Exhibition
Wicker Products
Pasta Fork
Brushanger
Office Privacy
Music Stand Products
Half Pint Mug
50 Hangers Book
Exhibitions
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ADHOCISM
Thinking:Objects at Aram
Design Mart
Time:Frame
FAB Paris
Selfridges
Designers Block
Industry of One
RCA Graduation
Writing
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Blog:
Object Thinking
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Books:
Thinking : Objects
Phaidon Classics
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Articles:
London Design Guide
Tati and the Wingnut
Ironic Design
Open Source Design
Italian Furniture
Decade of Droog
Conran Collection
Milan Satellite
Good Company
Vitra Workshop
Drawing
Ready-Mades
Teaching
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Lecturing:
Chicago
London
Manchester
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Workshops:
France
Poland
Italy
Information
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Contact
Biography
Interview
Links
Biography
Tim Parsons is a product designer and a writer and lecturer on matters 'design'. He explores a broad range of approaches, believing a project's direction should be shaped by a search for the definitive in relation to specific conditions, rather than by applying a pre-conceived style. Mixing influences from craft and industrial design, his projects examine notions of familiarity, functionality and the quality of materials and processes, producing simple, durable objects. Tim was brought up in Wiltshire, England and studied industrial design in Bournemouth and Teesside before attending the Royal College of Art in London from 1998 – 2000. Upon completion of the Design Products course he began selling his own products to London retailers and was commissioned to undertake a research project for the Helen Hamlyn Research Centre, a centre for the promotion of socially inclusive design based at the Royal College of Art. In 2002 he moved to Manchester where he taught three dimensional design at Manchester Metropolitan University before returning to London in 2007 to teach at Camberwell College of Arts. Tim has collaborated on design projects with internationally renowned designers such as Matali Crasset and Vogt & Weizenegger and has led teaching workshops in France, Italy, Sweden and Poland. He has contributed regularly to the British design press reviewing exhibitions and writing features for Blueprint magazine and has recently written on design for Phaidon books. He has established the manufacture of his products through Innermost Ltd, A.R.Wentworth, Thorsten Van Elten and The Berlin Institute for the Blind and his work has been exhibited widely including at The Design Museum, London.