Dr Simon Faulkner
Simon Faulkner is a member of:
A selection of recent research outputs.- Jointly Authored Book
Faulkner, S., 2007. 'Art, Occupation, and Responsibility in David Reeb: Paintings 2006-2007', ednt, Tel Aviv.
Boulton, A. Faulkner, S. Schofield, J. Weight, A., 2007. 'Restricted areas', MIRIAD, MMU, The Wapping Project.
- Edited Books
Faulkner, S. Aulich, J. Burke, L., 2010. 'The Politics of Cultural Memory', Cambridge Scholars Press, Cambridge.
Faulkner, S. Ramamurthy, R., 2006. 'Visual Culture and Decolonisation in Britain', Ashgate Publishing, London.
- Book Chapters
Faulkner, S., 2012. 'British Pop Art and the high/low divide (forthcoming)'. In Dana Arnold, David Peters Corbett, Matthew Johnson (eds.) Remapping British Art and Architecture, Blackwell Publishing.
Faulkner, S., 2011. 'To those who were supposed to be with us'. In Roi Kuper (eds.) To Eat of the Leviathan Flesh Trilogy, 5-11, Possibility of a Book, Holon, Israel.
Faulkner, S., 2009. 'Land, landscape and the wild zone of power'. In Museum on the Seam, Jerusalem (eds.) Nature/Nation, Museum on the Seam, Jerusalem.
Faulkner, S., 2008. 'Picturing the Oslo Process: Photography, Painting and the Belated Occupation'. In Hilde Van Gelder and Helen Westgeest (eds.) Photography Between Poetry and Politics: The Critical Position of the Photographic Medium in Contemporary Art, chapter 7, 103-121, Leuven University Press.
Faulkner, S., 2007. 'Painting Like a Fan? Peter Blake in the 1950s'. In Christoph Grunenberg and Laurence Sillars (eds.) Peter Blake: A Retrospective, chapter 1, Tate Publishing, London.
Faulkner, S., 2006. 'Homoexoticism: John Minton in London and Jamaica, 1950-1951'. In Tim Barringer, Douglas Fordham, Geoff Quilley (eds.) Art and the British Empire, Manchester University Press, Manchester.
Faulkner, S., 2006. 'Late Colonial Exoticism: John Minton and Jamaica, 1950-1952'. In Faulkner, S. Ramamurthy, A. (eds.) Visual Culture and Decolonisation in Britain, Ashgate Publishing, London.
Faulkner, S., 2000. 'The History Behind the Surface: R. B. Kitaj and the Spanish Civil War'. In J. Aulich, J. Lynch (eds.) Critical Kitaj, Manchester University Press, Manchester.
Faulkner, S., 1999. 'Hockney a la Picasso in Historical Context (translated into French)'. In Musee Picasso (eds.) David Hocknet: Dialogue Avec Picasso, Musee Picasso, Paris.
- Internet Publications
Faulkner, S., 2008. 'David Reeb: Painting Bil'in and elsewhere', Ma'arav, http://www.maarav.org.il/classes/PUItem.php?lang=ENG&id=1223.
Faulkner, S., 2007. 'Preoccupied with Conflict (Review of Dateline Israel: New Photography and Video Art, Jewish Museum, New York, 2007', NYFA Current, www.nyfa.org.
- Journal Articles
Faulkner, S., 2011. 'The Most Photographed Wall in the World', Photographies, forthcoming 2012.
Faulkner, S., 2010. 'David Reeb: The politics of here and there', Programma, 3.
Faulkner, S., 2010. 'Review of 'The Framed World: Tourism, Tourists and Photography' (Mike Roobinson and David Picard, eds)', Visual Culture in Britain, 11/2, 300-305.
Faulkner, S., 2009. 'Photography in the service of citizenship: Ariella Azoulay’s Act of State', Programma, 1, 129-135.
Faulkner, S. Leaver, A. Vis, F., Williams, K., 2008. 'Art for Art's Sake or Selling Up?', European Journal of Communication, 23:3, 295-317.
Faulkner, S., 2007. 'The Black Box of the Occupation Revisited: Photography, Responsibility, and the Israeli Occupation', Afterimage: The Journal of Media Arts and Cultural Criticism, 35:3, 13-16.
Faulkner, S., 2003. '"Asylum Seekers", Imagined Geography and Visual Culture', Visual Culture in Britain, April 2003.
Faulkner, S., 2000. 'Art, Cigarettes and Visual Culture in the Sixties: The Peter Stuyvesant Foundation and the New Generation Exhibitions, 1964-66', Visual Culture in Britain, 2000.